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Arthur o'Bradley's WeddingAnd some singing Arthur-a-Bradley.Antiquaries are by no means agreed as to what is the song of Arthur-a-Bradley, there alluded to, for it so happens that there are no less than three different songs about this same Arthur-a- Bradley. Ritson gives one of them in his Robin Hood, commencing thus:-
See you not Pierce the piper.He took it from a black-letter copy in a private collection, compared with, and very much corrected by, a copy contained in An Antidote Against Melancholy, Made Up In Pills COmpounded of Witty Ballads, Jovial Songs, and Merry Catches, 1661. Ritson quotes another, and apparently much more modern song on the same subject, and to the same tune, beginning, -
All in the merry month of May.It is a miserable composition, as may be seen by referring to a copy preserved in the third volume of the Roxburgh Ballads. There is another song, the one given by us, which appears to be as ancient as any of those of which Arthur O'Bradley is the hero, and from its subject being a wedding, as also from its being the only Arthur O'Bradley song that we have been enabled to trace in broadside and chap-books of the last century, we are induced to believe that it may be the song mentioned in the old ballad, which is supposed to have been written in the reign of Charles I. An obscure music publisher, who about thirty years ago resided in the Metropolis, brought out an edition of Arthur o'Bradley's Wedding, with the prefix 'Written by Mr. Taylor.' This Mr. Taylor was, however, only a low comedian of the day, and the ascribed authorship was a mere trick on the publisher's part to increase the sale of the song. We are not able to give any account of the hero, but from his being alluded to by so many of our old writers, he was, perhaps, not altogether a fictitious personage. Ben Jonson names him in one of his plays, and he is also mentioned in Dekker's Honest Whore. Of one of the tunes mentioned in the song, viz., Hence, Melancholy! we can give no account; the other, - Mad Moll, may be found in Playford's Dancing-Master, 1698: it is the same tune as the one known by the names of Yellow Stockings and the Virgin Queen, the latter title seeming to connect it with Queen Elizabeth, as the name of Mad Moll does with the history of Mary, who was subject to mental aberration. The words of Mad Moll are not known to exist, but probably consisted of some fulsome panegyric on the virgin queen, at the expense of her unpopular sister. From the mention of Hence, Melancholy, and Mad Moll, it is presumed that they were both popular favourites when Arthur o;Bradley's Wedding was written. A good deal of vulgar grossness has been at different times introduced into this song, which seems in this respect to be as elastic as the French chanson, Cadet Rouselle, which is always being altered, and of which there are no two copies alike. The tune of Arthur o'Bradley is given by Mr. Chappell in his Popular Music.]
The Brave Earl Brand and the King of England's Daughter (Traditional)
The Merry Broomfield; or, The West Country Water
The Carrion CrowThe carrion crow is a sexton bold, He raketh the dead from out of the mould.The religion of the 'old sow,' whoever she may be, is clearly pointed out by her little pigs praying for her soul. The 'tailor' is not easily identified. It is possibly intended for some puritan divine of the name of Taylor, who wrote and preached against both prelacy and papacy, but with an especial hatred of the latter. In the last verse he consoles himself by the reflection that, notwithstanding the deprivations, his party will have enough remaining from the voluntary contributions of their adherents. The 'cloak' which the tailor is engaged in cutting out, is the Genevan gown, or cloak; the 'spoon' in which he desires his wife to bring treacle, is apparently an allusion to the 'spatula' upon which the wafer is placed in the administration of the Eucharist; and the introduction of 'chitterlings and black-puddings' into the last verse seems to refer to a passage in Rabelais, where the same dainties are brought in to personify those who, in the matter of fasting, are opposed to Romish practices. The song is found in collections of the time of Charles II.]
The Wandering Young Gentlewoman; or, Catskin
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